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Overview
MindTap Music for Aldwell/Schachter/Cadwallader's Harmony and Voice Leading, 5th Edition, is the digital learning solution that powers students from memorization to mastery. It gives you complete control of your course--to provide engaging content, to challenge every individual and to build their confidence. Empower students to accelerate their progress with MindTap. MindTap: Powered by You.
With MindTap, your content and learning experience are yours to shape. Customize the Instructor Guidelines, create your course by adding your own material or notes or removing irrelevant chapters or sections, and emphasize the most important topics.
- MindTap is an outcome-driven application that propels students from memorization to mastery. It’s the only platform that gives you complete ownership of your course. With it, you can challenge every student, build their confidence and empower them to be unstoppable.
- ACCESS EVERYTHING YOU NEED IN ONE PLACE. Cut down on prep with MindTap’s preloaded, organized course materials. Teach more efficiently with interactive multimedia, assignments, quizzes and more. And give your students the power to read, listen and study on their phones, so they can learn on their terms.
- EMPOWER YOUR STUDENTS TO REACH THEIR POTENTIAL. Twelve distinct metrics give you actionable insights into student engagement. Identify topics troubling your entire class and instantly communicate with struggling students. And students can track their scores to stay motivated toward their goals. Together, you can accelerate progress.
- YOUR COURSE. YOUR CONTENT. Only MindTap gives you complete control over your course. You have the flexibility to reorder textbook chapters, add your own notes and embed a variety of content including OER. Personalize course content to your students’ needs. They can even read your notes, add their own and highlight key text to aid their progress.
- A DEDICATED TEAM, WHENEVER YOU NEED THEM. MindTap isn’t just a tool; it’s backed by a personalized team eager to support you. We help you set up your course and tailor it to your specific objectives, so you’ll be ready to make an impact from day one. And we’ll be standing by to help you and your students until the final day of the term.
Part I: THE PRIMARY MATERIALS AND PROCEDURES.
1. Key, Scales, and Modes.
2. Intervals.
3. Rhythm and Meter.
4. Triads and Seventh Chords.
5. Introduction to Counterpoint.
6. Procedures of Four-Part Writing.
Part II: I-V-I AND ITS ELABORATIONS.
7. I, V, and V7.
8. I6, V6, vii6.
9. Inversions of V7.
10. Leading to V: IV, ii, and ii6.
11. The Cadential 6/4.
12. vi and IV6.
13. Supertonic and Subdominant Seventh Chords.
14. Other Uses of IV, IV6, and vi.
15. V as a Key Area.
16. III and VII.
Part III: 5/3, 6/3, AND 6/4 TECHNIQUES.
17. 5/3-Chord Techniques.
18. Diatonic Sequences.
19. 6/3-Chord Techniques.
20. 6/4-Chord Techniques.
Part IV: ELEMENTS OF FIGURATION.
21. Melodic Figuration.
22. Rhythmic Figuration.
Part V: DISSONANCE AND CHROMATICISM I.
23. Leading-Tone Seventh Chords.
24. Mixture.
25. Remaining Uses of Seventh Chords.
26. Applied V and VII.
27. Diatonic Modulation.
Part VI: DISSONANCE AND CHROMATICISM II.
28. Seventh Chords with Added Dissonance.
29. The Phrygian II (Neapolitan).
30. Augmented Sixth Chords.
31. Other Chromatic Chords.
32. Chromatic Voice-Leading Techniques.
33. Chromaticism in Larger Contexts.
Appendix I: Keyboard Progressions.
Appendix II: Score Reduction.
Appendix III: Roman Numerals and Registers; Explanatory Tables and Charts.
Index of Musical Examples.
Subject Index.
1. Key, Scales, and Modes.
2. Intervals.
3. Rhythm and Meter.
4. Triads and Seventh Chords.
5. Introduction to Counterpoint.
6. Procedures of Four-Part Writing.
Part II: I-V-I AND ITS ELABORATIONS.
7. I, V, and V7.
8. I6, V6, vii6.
9. Inversions of V7.
10. Leading to V: IV, ii, and ii6.
11. The Cadential 6/4.
12. vi and IV6.
13. Supertonic and Subdominant Seventh Chords.
14. Other Uses of IV, IV6, and vi.
15. V as a Key Area.
16. III and VII.
Part III: 5/3, 6/3, AND 6/4 TECHNIQUES.
17. 5/3-Chord Techniques.
18. Diatonic Sequences.
19. 6/3-Chord Techniques.
20. 6/4-Chord Techniques.
Part IV: ELEMENTS OF FIGURATION.
21. Melodic Figuration.
22. Rhythmic Figuration.
Part V: DISSONANCE AND CHROMATICISM I.
23. Leading-Tone Seventh Chords.
24. Mixture.
25. Remaining Uses of Seventh Chords.
26. Applied V and VII.
27. Diatonic Modulation.
Part VI: DISSONANCE AND CHROMATICISM II.
28. Seventh Chords with Added Dissonance.
29. The Phrygian II (Neapolitan).
30. Augmented Sixth Chords.
31. Other Chromatic Chords.
32. Chromatic Voice-Leading Techniques.
33. Chromaticism in Larger Contexts.
Appendix I: Keyboard Progressions.
Appendix II: Score Reduction.
Appendix III: Roman Numerals and Registers; Explanatory Tables and Charts.
Index of Musical Examples.
Subject Index.